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Steamboat Illustrations, Page 30


CaveInRockBallous33percentSEPIA

Engraving on page 380 from an issue of Ballou's Pictorial Drawing-Room Companion published sometime between 1854 and 1859. Text scan of the accompanying article on the same page is included below. We have a modern painting by Michael Blaser of Cave-in-Rock among our illustration pages. On one dark night during our voyage from Memphis to Cincinnati in September, 1992 the DELTA QUEEN's Captain or Pilot pulled over slowly and lingered near the Illinois shore where he scanned the mouth of the cave with his searchlight so passengers and members of the crew could enjoy seeing this mysterious grotto on the Ohio River under atmospheric conditions.

"CAVE-IN-ROCK, ON THE OHIO

Cave-in-Rock, or the 'House of Nature,' an accurate view of which, drawn and engraved for the Pictorial, we present on this page, is situated on the Illinois shore of the Ohio River, twenty-four miles below Shawneetown.

It is pointed out to passengers as a great curiosity, and the approach to it, as you descend the stream, is strikingly picturesque.

Above and below it are lofty perpendicular limestone bluffs, surrounded by trees. The entrance to the cave is just above high water mark. It is about 20 feet high, and leads to a spacious apartment with an arched roof, about 30 feet in height, and extending inward to a depth of 125 feet.

On its front are carved the names of many visitor's. This cave has occasionally afforded a temporary winter asylum to families descending the river.

About the year 1800 it was the rendezvous of a noted outlaw and pirate, by the name of Mason, who; with his band, subsisted by plundering flatboats on their way down the river, or by waylaying the unfortunate boatmen on their return, and robbing and murdering them. The voyage down the Ohio was then performed in "arks," which, moving slowly with the current, occupied weeks in the distance that now requires but days.

There was little to relieve the monotony of this dull progress; while the slow pace at which the ark moved, ensured their easy capture by the canoes of Indians or robbers.

Mason availed himself of this, and became the terror of the boatmen. The leader of this notorious band of outlaws was finally shot by one of his own comrades, in order to gain a reward of $500 offered by the Governor of Mississippi for his head. The story of Mason has been made the subject of more than one sketch, and has, moreover, we believe, furnished the outlines of a drama. The history of the western settlements abounds in themes for the pen, as do the vast regions of the west in subjects for the pencil.

In fact American scenery and history are abundantly suggestive, and afford an inexhaustible mine to artistic skill, being full of striking features and strange combinations."

PlantationSteamerRiverPittsburghPaints15May1948SatEvePostForNORI

Attached scan of an un-numbered page from the 15, May 1945 issue of the Saturday Evening Post In the book of Louisiana and Mississippi plantations that I have there's no exact match for the plantation house so it may have been an idyllic fantasy of a Southern house on the Mississippi River. The steamboat is a fairly generic sidewheeler also but the whole image has charm. The scan enhanced the artwork as it appeared in the magazine quite a bit, now it's "more better." The style of the painting is reminiscent of the backgrounds painted by Disney artists for animated films. Can imagine Alice and Dinah the cat under the tree just before the White Rabbit ran by with his watch saying "I'm late! I'm late! For a very important date!" (in "Wonderland.")

A partial transcript of the "copy" below the illustration:

"Pittsburgh Paints Look Better Longer

Near a great river shadowed by venerable, gnarled oaks, stands a gallant Southern home, ageless and serene. The spirit of warm welcome is ingrained in its architecture. Friendly as a handclasp, the high pillared porch is a harbor of hospitality. Wide, inviting doors are a silent apology for their ever being closed. The spacious hall leads to a sweeping staircase, as graceful as the train of a bride's gown. Mellowed by the light of countless candles and soft southern nights, blessed by years of kindly sunlight, the great homes of the South have an aura of romance. Old mahogany is rich with the priceless patina of time and use. Graceful mirrors recall the gracious days and gala nights when they reflected a stately era of rustling silk, fine linen and gleaming silver. These are fortunate homes that never can he empty because they are well-peopled with memories. Their beauty belongs to all who share the love of home that is deep-rooted in our national character. At no time in history has this great American trait been more evident than now. We treasure our homes and the desire to protect them is common with us all.

. . . We take pride and great satisfaction in making finer products for those who know that a few cents more paid for quality paint is a wise investment.

Time has proven that Pittsburgh Paints do look better longer.

PITTSBURGH PAINTS

PAINTS • GLASS • CHEMICALS • BRUSHES • PLASTICS
Copyright 1948 Pittsburgh Plate Glass Co.. Pittsburgh, PA

EverySaturday16Sept1871CityOfCairoAccidentForNORI

The artist's initials in the lower left corner A.R.W. stand for Alfred Rudolph Waud (1828-April 6, 1891) an American artist and illustrator, born in London, England. Waud was famous for the sketches he made as an artist correspondent during the American Civil War. It is possible that Waud also wrote the story that accompanied this but "the artist" is referred to by another narrator so either Waud was getting creative or there was a journalist on board with him. There were several other drawings that were made into engravings for this voyage of the CITY OF CAIRO in July of 1871 adventure but the attached artwork is the only one of the boat itself in an "action" scene. We have other examples of Waud's work elsewhere among our illustrations including ON THE MISSISSIPPI which included the NATCHEZ on Sept 2nd 1871, which was also from the periodical EVERY SATURDAY in which he was indeed given a "double credit" as both "Our Special Artist AND Correspondent."

The Murphy Library has some photos of several boats named the CITY OF CAIRO but they were all built after the one in this story was active on the Mississippi. Fred Way lists the boat in this story as Number 1055 in his Packet Directory. This CITY OF CAIRO was built in 1864 at Metropolis, Illinois and completed in St. Louis. She was sidewheeler 272 feet long and rand St. Louis—Memphis for the Memphis Packet Co. Lost in a fire at New Orleans in 1873.

In the following story there are references in the text to things that are going on in the illustration including the clerk escaping from the boiler deck via the suspended "gang-plank" (stage) and an irate Priest shaking his fists at his parishioners in Lake Providence, Louisiana who failed to come to the rescue of the boat and him after the CITY OF CAIRO suffered an accident

The wrecked cotton packet JUDGE WHEELER mentioned in the article was built in 1870 and exploded 45 miles north of Vicksburg in February 1871 with 600 bales of cotton on board.

Some editing of the article was required due in part to the poor quality of the online source material which was difficult for both myself and "Omni PagePro" to transcribe. I was only able to obtain page 285 from this article on eBay from which the attached illustration was scanned.

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pages 284 - 286

EVERY SATURDAY

SEPTEMBER 16, 1871.

FROM VICKSBURG TO MEMPHIS, WITH SOME ACCOUNT OF AN EXPLOSION.

It was a hot afternoon in July when we hurried aboard the steamer CITY OF CAIRO.

She was advertised to leave Vicksburg for Memphis at precisely five o'clock p.m. At precisely six o'clock p.m., the CITY OF CAIRO pushed out in the river, and paddled away down stream in the direction of New Orleans.

Stopping, however, at a little railroad station on the bank opposite and below Vicksburg, the CITY OF CAIRO passed a social hour, so to speak, with the trim-looking, wharf-boat there, and then turned around, puffed back to the Vicksburg levee, and went to discharging the freights which she had brought from Memphis on the last trip.

Between ten and eleven o'clock we went to bed, and awoke next morning to find the CITY OF CAIRO with her nose on a desolate bank, commanding a view of about three rods of alluvial wilderness in the foreground and a dense tog swallowing up the river and all nature beyond. We had left Vicksburg some time in the night, and had been overtaken by this fag after a voyage of about five miles.

After breakfast the mist cleared away enough for the boat to feel its way by soundings, and when at last the day turned out bright and sunny, we paced the mouth of the Yazoo, and landed at Milliken's Bend.

Here the river has been busy in its work of obliterating traces of the late war. The spot where "the brave troops fought proudly," as the phrase goes, has not yet caved away, but the earthworks and the ten and eleven o'clock we went to bed, and awoke next morning to find the CITY OF CAIRO with her nose on a desolate bank, commanding a view of about three rows of old levees which served for works, are gradually going down the Mississippi to form sandbars for the peaceful water-fowl of lower latitudes.

It took us three days and three nights to reach Memphis. There is no reason why I should go over the long, tedious voyage in detail. We made, I believe, four hundred landings in all. The banks presented the same sunny monotony day after day, and the nights were the same dreary lapses of heat and half-sleep. Little is left of Napoleon, Arkansas which used to have the reputation of being the wickedest town on the Mississippi ; but the streets once vocal with the "sharp note of the pistol and the pleasing squeak of the victim" have all caved into the thee. Napoleon may be said to be wrecked on a sandbar a few miles below, on the opposite side of the river where the caving earth is being deposited. Even the Arkansas River, which used to empty all its waters into the Mississippi in the neighborhood, has broken into the White River, miles above, and has left the town to its fate. Napoleon is in fact a mere suburb of its former self. Helena, farther up the Mississippi, and in the same State, presents a thriving appearance. Remains of fortifications used in the late war, are still visible on the high ground back of the town, but the town itself shows no scars, at least to one passing on the river. Bell's Plantation and the picturesque wreck of the old steamboat JUDGE WHEELER, form, with the towns already mentioned, about the only interruption to the level sameness of the banks for the whole four hundred miles of our passage from Vicksburg to Memphis.

But we had excitement enough in one crowded boor on board the boat to make up for all the tameness of the shores. Up to the hour in question a faint show of diversion was furnished by a certain fat boy, who generally made his appearance on deck just after meal time. Here he would mingle freely with any group that had the energy to converse, find assist in the conversation, until yielding to post-prandial influences he would fall asleep sitting up. Then, too, there was a mild sort of excitement afforded on by three State-prison convicts, —an express robber, a poisoner and a cold-blooded murderer, who came aboard somewhere in Mississippi, and camped upon the baggage of your present chronicler, just outside of our stateroom door. They were negroes; and were on their way to work upon some plantation. Three men fiercely armed took turns in standing guard over them. The fine way in which the State institutions of Mississippi are I farmed out, could not, I think, have been brought to one's door with more exhilarating force. In comparison with any other Southern State, Mississippi has hardly debt at all, and why its citizens should be exposed to the humiliation, to say nothing of the demoralization, of having criminals turned out among them in gangs all over the country, does not appear to the pacing traveller. A private individual or company chartered the penitentiary and its inmates— a fact which speaks ill enough of the legislature; but this scattering of convicts all over the country, seems to me an outrage not only upon the dignity of the State, but upon the rights of the law-abiding citizen.

One afternoon, on the verge of the crowded hour I have alluded to, the prisoners were lying asleep upon my baggage, the fat boy was sitting asleep on the rail, and the majority of the passengers were gossiping drowsily in the shade on the forward guard. We had just left a landing on the Mississippi bank, and were going to Lake Providence, when there was a sudden scraping of the bottom of the boat, a jar that threw us all forward, a crash, an explosion, and a vast escape of steam. There was not a face that did not turn deathly pale. For a few seconds no one seemed to have power to speak or move. Then someone said, " We have struck a snag and it has gone through the boilers !"

The first impulse was now for every soul to jump overboard from where we were on the upper deck. There was a rush in that direction. At the railing, the united mind appeared to change in an instant, and the whole throng made for the stairs leading to the lower deck. Everyone hurried forward in the attempt to be as far from the boilers as possible when the explosion should come. And while we were expecting it to come, the scene was just simply terrific. Some mad person had secured a door of a state room and brought it down on the bow where I was, and then disappeared. I could do no more than gather up the door and stand ready to jump. There provided for, I surveyed the scene about me. At my feet, crouched behind a coil of rope, lay a negro "roustabout," too much terrified to move, but his gaze was so bent in the direction of the boilers that only the whites of his eyes were visible. Further along a lot of deck passengers and roustabouts were just launching the only available boat. The mate happening to see them, made them leave the boat and go to work putting out the fires under the boilers.

Some of the ladies were kept from jumping into the river by main force. The most distressful sight, perhaps, was that of the poor convicts; they were handcuffed together, and none of their three keepers had the means of unshackling them. The prison authorities had forgotten to send along the keys. The terror of the wretches was something sickening to see, especially after the keepers had tried to break the irons and had failed.

The whole upper part of the boat was enveloped la the escaping steam, out of which I saw the chief clerk emerging. He was a very dressy, gentlemanly person on ordinary occasions, but now he came abruptly, head first, in his shirt sleeves, through the back window of his office. He jumped out upon the gang-plank which hung suspended on a plane with the upper deck, and climbed down some ropes to the lower deck, preceded by his glossy silk hat, and followed halfway by the fat boy. This youth was on the point of going overboard after the clerk's hat supposing the clerk to be still under it, and in the safest place at such a moment; but his father caught him in the middle of his mad career and of his anatomy, and brought him back to the guard.

The humor of this scene had much to do in restoring me to my senses. Looking aft I saw the men working hard to put out the fires under the boilers and the engineers all at their posts. It occurred to me that if there were to be any further explosion the engineers would be apt to know it and would be getting out of the way. Events occur very fast at such a time. While I was standing still with a firm grip on my door, more people with everything but life preservers joined me on the bow. The life-preservers were all in the staterooms and no one seemed to care about venturing far into the cabin after them. The ladies were actually too scared to faint or scream. Once free of the idea of going overboard they stood stark and speechless on the lower deck. While they were standing there in this helpless way, a gentleman who had retired to the quarterdeck to strip himself as soon as the explosion occurred, strode forth in undershirt and drawers to view the situation; he came in plain view of the situation, retired gracefully, and put on his clothes again.

About this time my eye lighted upon our artist from whom the confusion had separated me. The artist was now intently watching the movements of the bartender, and the bartender was walking vigorously up and down in front of the bar, the only man on the boat, except probably the engineers, who had not left his post. He kept up his promenade for some time, and thee stopped as if something had struck him; something indeed bad struck him ; it was the thought of the money in his drawer. He went deliberately behind the bar, transferred the money from the drawer to his pocket, and resumed his walk. Sometimes his form would disappear in the steam, but he kept on marching to and fro in front of his bar till the panic was over.

I joined the artist and we went up into the cabin and found it still full of steam and unbearably hot. The carpet was torn and a part of the floor was blown up ; chairs, tamps, and tables were capsized, and everything high and low strewn with the bits of cotton which had served as padding to the carpet. Here I was much relieved to learn that we had not taken a snag into our boilers at all, but that we had run with full headway on to a sandbar, and a steam-pipe had been twisted off by the swaying and wrenching of the boat. When we found that the danger from fire was over, we ventured into our stateroom, which was in the immediate neighborhood of the broken steam-pipe. We found our pillows blown into a heap with our mosquito-bars, and diverse volumes of light literature, to say nothing of light articles of apparel, strewn on the floor and covered with hot water and Mississippi mud. If this had all happened in the middle of the night, we might have gotten scalded and been a great deal more scared than we were. If we had been roused out of an unquiet sleep by such an explosion accompanied by hot water I have in my mind's eye at least one person who would probably have gone overboard without waiting to secure a door as a floatation device or anything else.

In the course of time the anchor was cast and the water was blown out of the boilers. We were all the while in plain view of the people of Lake Providence, scarcely a mile away, but they made not the least effort to come to our aid. We lay at anchor most of the afternoon, yet no one seemed to have even the curiosity to approach us. We could see people watching us from the wharf-boat while the steam was escaping. They however gradually disappeared and we were left to our fate. We had on board the parish priest of Lake Providence; he was, like the rest of us, very much frightened at best, but he waxed much more indignant than any one else at the conduct of his parishioners. He vowed he would give them a little sermon on the subject, if he lived to get ashore. The chubby reverend gentleman had seized his valise at the first alarm, and rushed down on the lower deck, ready to go ashore, and he stood, as you will see him in the lower right hand corner of our picture, waving at his stolid, unheeding flock, until the steam was quite blown out of the boilers.

Assured that the danger was really past, we all met to compare notes. As is always the case after an accident, every one was more anxious to give an account of his own experiences than to listen to an account given by anyone else but in this sympathetic reunion we found that no one had been injured except a canary bird, a sweet songster belonging to the boat. The steam had killed it. At the time of the accident a small party were at dinner not far from where the pipe burst in the cabin. In regular order dessert was their next course; they took napkins instead and hurried away with them. As soon as the steam was out of the cabin the ladies, with one or two exceptions, retired and powdered their faces. Then they came back en the guards and contributed their sham to the general stock of experiences One lady said she had heard in such awful moments people always think and talk about death and religion. Now that hadn't been the way with her. She was thinking all the dine about her trunk full of new clothes, and whether they would get wet, or burn up. Finally the said her anxiety seemed to have settled upon one solitary dress made to wear north, —when, being assured that the danger was over, her mind traversed hack from the one dress to the other contents of the trunk, and thus through the trunk to her ordinary consciousness again. This metaphysical process, as I understand it, was just the converse of the German one which resulted in the elephant. The young lady you see, did not evolve the trunk from her consciousness, but her consciousness from the trunk.

Not twenty minutes before the occurrence of the accident an officer in former Confederate service had been telling of certain cool behaviors of his own, not only upon the field of battle, but on the occasion of a great steamboat explosion once upon a time. When the crash came on board of our boat, he jumped to his feet and disappeared. After all was over he explained that he had gone aft to see to the ladies. Now all the ladies he happened to know were in the party from which he so suddenly vanished. That evening when we had got under way again, and were all seated at supper, the boat went a little hard against the bank in making a landing. Our ex-Confederate again sprang to his feet and disappeared. Being questioned upon his return, he said that be thought it was his getting-off place. All the stories of brave conduct in the war which our friend had previously told at may have been true; but he never on the boat seemed quite brave enough to acknowledge that he was scared. The fact is we were all scared, as we had a right to be. Even the plucky bartender could hardly speak when he was first accosted on his solitary walk in front of his bar.

There was no one to blame for the accident. The sands and mud of the Mississippi will shift, and if a steamboat striking a bar with all its force wrenches off a steam-pipe, the engineers can do no more than ours did. They worked with all their eight and made their fire-men said coal-heavers work, and long before dark the damage was repaired and the engines were moving The current itself took us off the bar. The anchor was shipped, and we proceeded on our voyage. The accident furnished us with something to talk about all the way to Memphis. The story had to be told over and over to passengers whom we picked up on our way. To the newcomers we gave tithes of wonder and fear until we had nothing left in our store but individual bravery. At last we were a lot of gallant people who had been blown up without moving a muscle except in giving dauntless aid to unprotected women and children.

OilPaintingCINCINNATIbyRIGBYreducedForNORInewJune2016

OilPaintingInspirationRigsby'sPaintingCINCINNATIforNori

Original oil painting 18 x 24 inches by Joe Rigsby of the CINCINNATI recently obtained through a friend and art dealer in Alton, Illinois. Also included a photo of the boat from La Crosse which the artist must have based his painting on.

CINCINNATI Sidewheel Packet

Way's Packet Directory Number 1033

Hull built by Midland Barge Company, Midland, Pennsylvania and completed at Cincinnati, 1924 for John W. Hubbard of Pittsburgh;

Navigated the Ohio and Mississippi rivers

This boat had a double cabin, parlor rooms, baths, separate dining room, steam heat and all the trimmings.

She was designed by marine architect Tom Dunbar as a single-cabin packet for the Cincinnati-Louisville trade.

Before completion, the stateroom capacity was vastly enlarged by the building of a second passenger cabin.

The original cost of this boat was $417,000 of which she made back about $200,000 in the first eight years of operation.

The boat was owned by John W. Hubbard, Pittsburgh and operated by the Louisville and Cincinnati Packet Company.

She made Cincinnati-New Orleans Mardi Gras trips without a break from 1924-1930 and cleared $40,000 on her first Mardi Gras trip.

She was in Pittsburgh on several occasions, and brought the 31st annual convention of the Ohio Valley Improvement Association there in October, 1925.

She appeared for the 1929 celebration of the completion of the Ohio River locks and dams.

Her principal business was regular summer operation in the Louisville-Cincinnati packet trade.

On May 24, 1928 while between Carrollton and Madison, she collided with the MV BELMONT and engineer Homer Johnston was killed.

Hard times came with the Louisville and Cincinnati Packet Company having financial troubles.

The Cincinnati was sold to Streckfus Steamers, Incorporated, St. Louis IN 1932.

Streckfus tore her down to the hull and built a superstructure for an excursion boat named PRESIDENT.

RafterKitCarsonX2withCarsonHimself

This rafter was very photogenic, came across these two photos of the KIT CARSON in the La Crosse collection and combined them here.

Named for legendary frontiersman Christopher Houston "Kit" Carson (1809-1868) Also included a vignette portrait of Carson himself with the lower photo.

KIT CARSON
Sternwheel Rafter
1880 - 1916

Way's Steam Towboat Directory Number T1522

Built at South Stillwater, Minnesota circa 1880.
Owned in 1883 by Burlington Lumber Company, McDonald Brothers of La Crosse, Wisconsin and Captain A. R. Young who commanded her.

Later she was sold south to the Patton-Tully Lumber Company of Memphis, Tennessee. Condemned at Memphis and dismantled in 1916.

OFFICERS & CREW

1880: Captain A. R. Young (master), N. B. Lucas (pilot)

1886-1889: Captain R. N. Cassidy (master) William Wooders (pilot)

1888-1889: Sol S. Fuller (chief engineer)

1890: Harry Walker (master), Captain Charley Meeds (first engineer)

1890-91 Captain John Bradley and Frank D. Wettenhall (pilots)

1890-1894: Captain William Slocumb (master and pilot)

1892: Captain B. B. Bradley (master)

1894: George Dunbar (pilot)

1899: Captain H. Bresee (master and pilot)

1900-1904 Captain William Dobler (master and pilot)

1901-1902: John Schmidt (pilot)

1916: Captain Cornelius Knapp (master)

StrTARASCON_Wm_E_Reed1968forBertFennDeSaturatedForNORI

Attached scan of painting by Bill Reed with text by Fred Way, both from the cover of the 1968 Christmas edition of the REFLECTOR. This is one of Reed's better efforts. I "plumbed it up" and cropped it a bit and also desaturated the color to enhance the aesthetics.

S & D REFLECTOR
Published by Sons and Daughters of Pioneer Rivermen

Vol. 5, No. 4

Marietta, Ohio

December, 1968

The steamboat above is the TARASCON, and that is a pretty name, French, and the Tarascon family built sailing ships at Pittsburgh starting in 1801. Soon after that they were making flour, and had a rope-walk and other interesting affairs at the foot of the Louisville Falls. The Tarascon Mill was a landmark at Shippingport for years after.

William E. Reed painted this picture just a month ago for Bert Fenn.

The TARASCON was built in 1895 at the Howard Ship Yard and for about twenty years ran in the packet trade between Louisville and Evansville. That's why Bert Fenn cherishes the boat; he remembers seeing her at Tell City, Indiana. Bill Reed was generous to allow us to reproduce this, and Bert Fenn even more so. While we messed around three weeks getting this color picture made, Bert was biting his fingernails, maybe not literally, for he hadn't yet seen the original oil.

So this is a special Christmas present to all S&D members particularly from Bill Reed and Bert Fenn. They join with S&D's editor and wife, and with the S&D officers, in wishing each and all a steamboat-load of joy delivered aboard the Str. TARASCON waiving the usual bill of lading exceptions.

CalendarArtBobPettesWESTPORTsteamboatForNORI

One of Bob Pettes' "Nostalgic Impressions" of a fictional steamboat he named WESTPORT painted in 1982. Westport, Missouri was a town on the Missouri River that was annexed by Kansas City, Missouri in 1897. Pettes moved to Kansas City later in life and may have lived in the Westport district or liked the historicsignificance of the name. Fred Way does not list a steamboat named WESTPORT but there may very wellhave been one early on when Missouri River steamboats were plentiful.

This 9.05 X 10.75 inch print was from a 1991 calendar. Bob brought lots of charm and precision in his style. The overall wood grain texture in the background enhances the nostalgic flavor of the piece.

Abridged obituary on Bob Pettes from the Kansas City Star below.

linkedin.com

R.I.P. Bob Pettes, 1922-2015
Mar 9, 2015
Bob Pettes, 1922-2015.

Husband, father, friend, noted illustrator, remarkable artist from the Golden Age of American illustration who captured American life and the American spirit, and a creative and gentle soul. Bob, you will be missed. From the obituary published in the Kansas City Star, March 1, 2015:

Our loving husband, father, friend and neighbor, Robert Pettes died Feb. 27, 2015. We will miss his smiles and humor and his kind and uplifting words.

Born in Minneapolis, Minn., on May 16, 1922, it was soon evident that his talent was art. Starting out in a print shop he could get to on his bicycle, he delivered stats to customers in the area. He had his own studio in downtown Minneapolis, then went in with a couple of other artists.

They did illustrations for General Mills and 3M, as the word got out about their talents. The war came and he enlisted in the Coast Guard and served as ship's cook on the USS Serpens after he was sent to cook and bakers school in New York. He also assumed the role of chaplain with the permission of his captain.

After the war he worked for Brown & Bigelow in Minneapolis, traveled to Europe, and used some of his observations to build a French house for sale and later an English house.

He later moved to Kansas City went to work for Hallmark cards where he met his wife, Gwen. They were married in 1976. He began painting in his home studio in Prairie Village in a style he called Nostalgic Impressions, using his memories from childhood visits to southern Minnesota. In later years his style included scenes and landscapes from trips to Europe with Gwen.

BlueprintCapeGirardeauForeAndAftReducedForNORI

BlueprintCapeGirardeauWhistleBellPaddlewheelForNORI

CapeGirardeauPlumbCropPortsideLandingForNORI

Attached 2 examples from a set of blueprints for the CAPE GIRARDEAU (23-35) plus a photograph of her from La Crosse.

CAPE GIRARDEAU
1923 - 35
Sternwheel Packet
Way's Packet Directory Number 0829
Designed by Tom Dunbar for the Eagle Packet Company.
Built in 1923 at Howard Ship Yard, Jeffersonville, Indiana. Went from Louisville to St. Louis in November, 1923.
Came out in the St. Louis-Cape Girardeau commerce trade in April 1924; christened at Cape Girardeau on August 24 by Miss Christine Rowling. Made St. Louis to New Orleans Mardi Gras trips between 1925 and 1930.
Sold to Greene Line Steamers in 1935 and became the GORDON C. GREENE.

RunMeARiverHorizontalCompForNORI

Attached comp of cover designed by Sam Bryant for RUN ME A RIVER which I have rearranged to fit in in a horizontal format

Run Me a River, Five days in the life of the RAMBLER and its passengers
by Janice Holt Giles
Houghton Mifflin Co. 1964

goodreads.com

The rich history of river life in Kentucky permeates Janice Holt Giles's novel "Run Me a River." Set in 1861, at the beginning of Kentucky's reluctant entry into the Civil War, the novel tells the story of a five-day adventure on the Green River. Aboard the "RAMBLER," a ramshackle steamboat, Captain Bohannon Cartwright and his crew journey 184 miles and pick up two extra passengers along the way. The boatmen rescue "Sir Henry" Cole, a former Shakespearean actor, and his granddaughter Phoebe from their skiff when it overruns in a squall. As romance blossoms between Phoebe and Captain Bo, a conflict escalates between Confederate and Union forces fighting for control of the river.

Janice Holt Giles (1905-1979), author of nineteen books, lived and wrote near Knifley, Kentucky, for thirty-four years.

Ms. Holt's acknowledgements excerpted from the last six paragraphs of the Foreword:

"I was helped by many people while doing research for this book. I cannot begin to list them all, but I am particularly grateful to the following:

Captain J. Frank Thomas, last master of the EVANSVILLE which burned at the wharf at Bowling Green on July 25, 1931, and for all practical purposes ended the river trade;

Mrs. Beulah Thomas, his wife, who gave me a woman's point of view of life on the river. I had three long interviews with Captain and Mrs. Thomas, whose patience extended beyond courtesy.

Captain Jim Wallace, retired towboat pilot and Mrs. Thomas' father, also granted me an interview. It was he, now past ninety, who "wrote the river" for me and whose river tongue gave me much of the language.

Through our good friend, Joe Covington, of Bowling Green, I met Warren Hines, a vice-president of the Hines Marine Towing Company, who interrupted a busy schedule to see me several times,

loaned me the company Scrapbooks (which were invaluable since the family has been in the river trade for four generations) and who finally did me the inestimable service of arranging a towboat trip downriver.

To no one else, however, am I more grateful than to Jim Nasbitt, owner of the towboat Maple, on which I made the downriver trip, and his son Buddy Nasbitt, pilot of the MAPLE.

They were gracious, hospitable and helpful. Without their help I could not possibly have learned as much as I did about the river and they gave it so cheerfully and willingly.

Miss Elizabeth Coombs, librarian of the Kentucky Building Library, Bowling Green, is an old friend and valued assistant in research. She is invariably interested, and wholly tireless in her efforts.

She found the old river map which is reproduced on the end papers in this book, as well as many old newspaper clippings, journals, histories and other useful documents.

JANICE HOLT GILES
Spout Springs, Kentucky
August 6, 1963"

Winona1978SteamboatDaysButtonForNORI

Winona, Minnesota June 27 - July 4, 1978
31st Annual STEAMBOAT DAYS - Badge No. 862
Winona Area Jaycees RIVERTOWN RENAISSANCE

2 1/4 inch pin back button

Once again it appears that the artist based the steamboat on the little White River (Arkansas) steamboat MARY WOODS No. 2 that was on display at Jacksonport, Arkansas until she sank and nobody wanted to pay the cost of restoring her so she was scrapped in 2011. The artist who painted the MARK TWAIN FOREVER postage stamp also used the MARY WOODS No. 2 as a model for his steamboat.

WetumpkaALABAMA1847reducedForNORI

Very early frontier-flavored painting with Contestoga wagons, stage coach and other horse drawn vehicles. Commercial buildings and homes, fascinating glimpse of what it was like in very early days on Southern rivers.

Steamboat MONTGOMERY on the Coosa River at Wetumpka, Alabama.
Painted by Adrian E. Thompson, 1847
In the collection of The Museum of Fine Arts, Boston, Massachusetts

MONTGOMERY
sidewheel packet boat
Way's Packet Directory Number 4028
Built at New Albany, Indiana in 1843. 407 tons.
Went to Mobile, Alabama. Returned to New Orleans February 1850.
Capt. J.H. Estes of Mobile was master, and she was owned at Mobile by John G. Owen and F.M. Johnson.

Ran New Orleans-Vicksburg.
Burned at New Carthage, Mississippi, 33 miles below Vicksburg, Mississippi on November 7, 1851.





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With the exception of images credited to certain institutions,
most of the images on this page are from a private collection.
Please request permission before reproducing our images in any publication.*

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